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All Spode Patterns on Sale through 7/15/2009
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Alden
 Pattern No: S2280
Billingsley Rose (Pink/Older)
 Pattern No: 2/8867, Jewel Shape
Billingsley Rose (Yellow)
 Pattern No: Z9673
Blenheim
 Pattern No: Y7695
Blue Bird (Fine Stone)
 Pattern No: S3274
Blue Marlborough
 Pattern No: S3413
Buttercup (Newer)
 Pattern No: 2/7873, Chelsea Wicker Shape
Christmas Tree (Red/Newer)
 Pattern No: S3324
Colonel (Y7144)
 Gold Trim, Rim Shape, Grey Design, Scalloped Edge
Dimity
 Pattern No: Y5764
Dubarry
 Pattern No: S2391
Fairy Dell (Swirl)
 Pattern No: 2/8093, Charlotte Shape
Fitzhugh (Red)
 Pattern No: W88
Florence (2/8411)
 Charlotte Shape
Gainsborough (Marlborough)
 Pattern No: S245
Geisha (Y3456)
 Light Blue
Gloucester (C1813/W89)
Gloucester (Y2990)
Heath And Rose (Jewel)
Indian Tree (2/959)
 Orange/Rust, Scalloped Edge
Irene
 Pattern No: Y6470
Jewel
 Pattern No: C1890, Jewel Shape
Maytime
 Pattern No: Y8081
Peplow (R8542)
Queens Bird (Imperial/New)
 Pattern No: Y4973
Queens Gate
 Pattern No: Y8052
Rockingham (Y5194)
 Pattern No: Y5194
Savoy (All White)
 Savoy Shape
Tower (Pink/Older)
Trade Winds (Black)
 Pattern No: W145
Trade Winds (Red/Gold)
 Pattern No: W128
Tuscana
 Pattern No: Y8578
Wicker Dale
 Pattern No: 2/4088/C1891



Manufacturer Profile: Spode
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Spode Christmas Tree (Green Trim) Bread & Butter Josiah Spode I was born in 1733 to a modest income family, and began apprenticing when he was only seven years old at a pottery near his home in Staffordshire. The young Spode worked for a brief period, from the time he was sixteen until the time he was twenty one, for an innovative potter named Thomas Wheilden. After departing the Whieldon works in 1754, Spode worked for a number of other potters until he could finally establish his own pottery works in 1767. By 1776, Spode owned his own pottery factory, and although the original buildings have been replaced, the factory still operates from the same location today.

Spode Buttercup (Older) Salad Plate In 1784, Spode perfected the process of blue underglaze printing on white earthenware. Although the Chinese had produced underglaze blue and white porcelains for centuries, it was very expensive to transport those wares from China back to England or America, so most people could not afford them. The new English blue and white pottery was much less expensive, and it was so popular that it created a revolution in the pottery community. The new wares replaced plain white pottery, pewter and wooden items in many, many households. Soon many other potters followed Spode's lead and began to employ Spode's methods to create their own underglaze blue and white patterns.

Spode Indian Tree (2/959) Bread & Butter As if the introduction of blue and white underglaze pottery were not enough to guarantee Josiah Spode's place in pottery history, late in his career Spode achieved an even greater triumph. Dedicated to producing a whiter, stronger ware to compete with the great demand for European porcelains, in 1797 Spode arrived at the formula for fine bone china. (This formula has a percentage of calcium phosphate derived from ox bone.)

Spode Tower (Pink/Older) Luncheon Plate Josiah Spode I died very soon after he discovered his formula for bone china. He did not live to see the huge impact that his discovery would have on the pottery industry and consumers. The brilliant whiteness, strength, and delicate translucency make bone china a favored china all over the world. Every English fine china producer today produces some variation of the bone china formula that Spode originally created. According to the Spode company's publications, it's formula has in excess of 50% calcium phosphate derived from ox bone while the United Kingdom's legal definition maintains that these wares need only contain 30%.

Spode Billingsley Rose (Pink/Older) Bread & Butter In addition to the high quality product and technical innovations that Spode is known for, it's success and popularity has been greatly enhanced by a history of sharp marketing decisions. Soon after Spode had full ownership of his pottery, he opened a salesroom in London. This began the association with William Copeland, a banker and tea merchant, who oversaw the London office. Josiah Spode's son, Josiah Spode II was sent to the London office in 1778. Copeland was a good business, and sales man. From the London shop, Copeland and the younger Spode could better monitor the current taste and demand of the wealthy urban clientele. (Later, Copeland would become a partner, and eventually his son, William Taylor Copeland, would become the sole owner the Spode pottery.)

Spode Greek (Red) Dinner Plate The early marketing of Spode's wares in the United States accounts for much of the company's success as well. Immediately after the revolutionary war, Spode was the first pottery to recognize the vast sales potential in America. Spode hired sales agents to work in the major American cities, and by the turn of the eighteenth century the United States was it's largest customer and has remained so ever since.

Spode's current line of wares includes fine bone china, imperial dinnerware, imperial earthenware, and fine stone dinnerware. Introduced in 1938, the well known Christmas Tree pattern is the best selling Spode pattern of all time. It is said that the pattern is what kept Spode in business during the years just after World War 2.

References

Spode The Fine English Dinnerware. 1940, Copeland and Thompson, Inc., New York.
Spode sales brochure. The Royal China & Porcelain Companies Inc.
Spode website. www.spode.co.uk
China and Glass in America 1880-1980. Veneble, Charles et al. 2000, Abrams, Inc., New York.


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